This page shows publications produced since the commencement of the project in 2018 and related publications by members of the research team that appeared prior to the project.
[Image: Mark Smith, Welcome , 2018, calico, cotton thread and stuffing, 110 x 55 x 34 cm. Monash University Museum of Art Collection. Image courtesy of Arts Project Australia.]
Conference Papers
White, A., “Captivity and Creativity in Wartime,” Working Group, 2023 Modern Language Association Annual Conference (San Francisco, 6 January 2023). https://mla.confex.com/mla/2023/meetingapp.cgi/Session/14851
White, A., ‘Italian Internees and Prisoners of War in Australia 1940-1945: Carceral Aesthetics’ (Multilingual Encounters in Captivity: Italians in POW Camps), Modern Language Association Annual Conference (Washington, D. C., January 2022).
Parlane, A. & White, A., “Recentring Australian Art”, Panel, IMPACT: Art Association of Australia & New Zealand (AAANZ) Conference, Sydney, December 2021.
White, A., ‘Opening Australian Art History: The Case Of Henry Dearing,’ Sixteenth International Conference on the Arts in Society , The University of Western Australia, School of Design, Perth (June, 2021).
Green, C, ‘Art, Wellness and Creativity,’ The Intersection of Wellness and Creativity: Mapping the Field , keynote lecture, conference, University of Melbourne (November 2019).
White, A, ‘Storytelling at The Dax Centre’, Transformational and Dangerous: The Ethics of Storytelling Workshop , Art-Based Social Enterprise and Marginalised Young People’s Transitions Project, RMIT University (November 2019).
White, A, ‘The Dax Centre: An Archive of Works by Artists with Experience of Mental Illness’, Heat & Dust: Artists, Archives, Art History , Art Gallery of New South Wales and the Power Institute, University of Sydney (November 2018).
White, A, ‘Outsider Art: Historical Perspectives’, Outsider Art: Contemporary Considerations , part of the Talk the Talk lecture series, Art Curatorship Partnership Projects, University of Melbourne (April 2018).
Journal Articles
White, A., ‘Anthony Mannix: Secessions from Systems’ Index Journal 4 (2022), 1-29, 10.38030/INDEX-https://index-journal.org/issues/secession/anthony-mannix-secessions-from-systems
White, A., ‘Henry Dearing: Decentering Australian Art’, The International Journal of Arts Theory and History , volume 17, issue 1, 2022, pp. 25 – 38 . https://doi.org/10.18848/2326-9952/CGP/v17i01/25-38
White, A., “Anthony Mannix’s Mixed Realities”, Art Monthly Australasia 327, Autumn 2021, pp. 80 – 87.
Parlane, A., “Overlapping Magisteria: Australian Centre for Contemporary Art, 05 Dec 2020 – 15 Mar 2021” Memo Review 19 December 2020.
McQuilten, G; Spiers, A, ‘Art is different: Material practice, learning and co-making at The Social Studio’, Journal of Arts & Communities , vol. 10, No1 & 2, 2020.
White, A; Parlane, A; McQuilten, G; Green, C, ‘Outsider Art in Australia: Artists’ Voices Versus Art-world Mythologies’, Art & Australia , vol. 56 Issue 1, p41-48, 2019.
Parlane, A ‘FEM-aFFINITY at Arts Project Australia’, Memo Review 20 July 2019.
McQuilten, G, ‘The political possibilities of art and fashion based social enterprise’, Continuum , vol. 31, no 1, 2017.
Parlane, A, ‘Stuart Ringholt: Works on Paper at Neon Parc,’ Memo Review , 25 February 2017.
McQuilten, G, ‘Self-Made: Arts Project Australia,’ Assemble Papers , August 10, 2015.
White, A, ‘Graeme Doyle, The Cunningham Dax Collection and Surrealist Discourse’, Papers of Surrealism , vol. 6, 2007.
Exhibitions
McQuilten, G., and Spiers, A., “Joining my future: Art/Work, Inequality and Crisis,” Bus Projects, 19 January – 27 February 2021
Koh, E., and White, A., “The Art of Making Sense,” The Cunningham Dax Collection, 1 May – 1 November 2008.
Books
McQuilten, G, The Social Studio: Fashion, Food, Art & Community , Melbourne: Melbourne Books, 2015.
Jones, K, Koh, E, Veis, N, White, A, Hurworth, R, Bell, J, Shrimpton, B, Fitzpatrick, A, Framing Marginalised Art , UoM Custom Book Centre, 2010.
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Recentring Australian Art 