Publications

This page displays publications produced during the project, as well as related publications by research team members that were published before the project.

[Image: Mark Smith, Welcome, 2018, calico, cotton thread and stuffing, 110 x 55 x 34 cm. Monash University Museum of Art Collection. Image courtesy of Arts Project Australia.]

Books

Harwood, T., McQuilten, G., and White, A., Variations: A More Diverse Picture of Contemporary Art, Clayton: Monash University Publishing, 2023 (hardback); 2024 (e-book); Preview

Abstract

‘Variation’ is a term that embraces difference, and is core to the excitement and uniqueness of art practice. This book gives much deserved attention to the work of artists with exceptional and varied lived experiences – including neurodiversity, diverse mental health, incarceration, and refugee, migrant and Muslim backgrounds – to transform how we understand contemporary visual art. Readers will encounter new and familiar artists whose artworks and stories are visually impressive and deeply compelling. As this book argues, multiple factors in the art world, and in society more broadly – structural, institutional and historical barriers – have limited proper recognition of the scope of variation in contemporary art practice. Yet as this book demonstrates, the contemporary art world is much more vibrant, diverse, multifaceted and multidimensional than previous histories and canons have depicted. That’s why our central aim in this book is to provide a more diverse picture of contemporary art.

Reviews

  • ‘a wave of new art books is challenging dominant narratives, such as Variations: A More Diverse Picture of Contemporary Art’ (Jane O’Sullivan, Art Guide Australia).
  • ‘The artist’s voice is present throughout, with a mix of profiles and accounts to longer texts that delve into the deeper topics of social marginalisation and understanding of diverse artmaking in Australia today’ (Gina Fairley, Artshub.co.uk).
  • ‘This ambitious book… gives voice – often denied – to artists not commonly represented in the art world machine of exhibition, critical writing and collecting… it is good and important to hear the voices not only of the artists themselves but also a number of critics writing from currently “decentred” positions’ (Colin Rhodes, Raw Vision).
  • ‘rather than exoticizing eccentricity and seclusion… Variations: A More Diverse Picture of Contemporary Art… includes Indigenous artists, artists working through supported studios, Muslim artists, and artists from refugee backgrounds giving accounts of their own work and practice’ (Elyssia Bugg, un Magazine).
  • ‘an attempt to think about the contemporary art world from the edges… to understand the barriers of entry that marginalised communities and individuals face’ (Safdar Ahmed, instagram.com/safdarnama/).
  • ‘Explores the power of diversity in art… an important book’ (Arts Project Australia, threads.net/@artsprojectaust).
  • ‘Variations reminds us of this deep need to express ourselves, despite all odds and obstacles, beyond all conventions, expectations and institutions – to find in that genuine diversity our common humanity, our truth’ (Shaun Tan, publishing.monash.edu).
  • ‘an excellent book, beautifully produced, inspiring’ (Philip Hammial, co-founder of The Australian Collection of Outsider Art).

McQuilten, G., The Social Studio: Fashion, Food, Art & Community, Melbourne: Melbourne Books, 2015.

Jones, K, Koh, E, Veis, N, White, A, Hurworth, R, Bell, J, Shrimpton, B, Fitzpatrick, A, Framing Marginalised Art, UoM Custom Book Centre, 2010.

Journal Articles

White, A., ‘Outsider Art: Art Brut and its Affinities’, The Burlington Magazine 167 (July 2025), pp. 743 – 744.

White, A., ‘Anthony Mannix: Secessions from Systems’ Index Journal 4 (2022), 1-29

White, A., ‘Henry Dearing: Decentering Australian Art’, The International Journal of Arts Theory and History, volume 17, issue 1, 2022, pp. 25 – 38.

White, A., “Anthony Mannix’s Mixed Realities”, Art Monthly Australasia 327, Autumn 2021, pp. 80 – 87.

Parlane, A., “Overlapping Magisteria: Australian Centre for Contemporary Art, 05 Dec 2020 – 15 Mar 2021” Memo Review 19 December 2020.

McQuilten, G; Spiers, A, ‘Art is different: Material practice, learning and co-making at The Social Studio’, Journal of Arts & Communities, vol. 10, No1 & 2, 2020.

White, A; Parlane, A; McQuilten, G; Green, C, ‘Outsider Art in Australia: Artists’ Voices Versus Art-world Mythologies’, Art & Australia, vol. 56 Issue 1, pp. 41-48, 2019.

Parlane, A ‘FEM-aFFINITY at Arts Project Australia’, Memo Review 20 July 2019.

McQuilten, G., ‘The political possibilities of art and fashion based social enterprise’, Continuum, vol. 31, no 1, 2017.

Parlane, A., ‘Stuart Ringholt: Works on Paper at Neon Parc,’ Memo Review, 25 February 2017.

McQuilten, G., ‘Self-Made: Arts Project Australia,’ Assemble Papers, August 10, 2015.

White, A., ‘Graeme Doyle, The Cunningham Dax Collection and Surrealist Discourse’, Papers of Surrealism, vol. 6, 2007.

BOOK CHAPTERS

White, A., “Graeme Doyle and Surrealist Discourse”, in Graeme Doyle: Medicated Man, Parkville: The Dax Centre, 2023, pp. 26 – 29.

Conference Papers

White, A., ‘Sam Byrne (1883 – 1978): Industrial Primitive’, The Art of Hospitality, 20th International Conference on The Arts in Society, Pittsburgh, USA, May 2025

White, A., ‘Erminio Aili: Displacement and Accumulation between Italy and Australia’, Understanding Displacement in Visual Art and Cultural History: 1945 to Now Conference, University of Manchester, October 2023

White, A., ‘Outsider Art in an Australian Context’, Symposium: Robert Martiensen, Hamilton Gallery, August 2023

White, A., “Captivity and Creativity in Wartime,” Working Group, 2023 Modern Language Association Annual Conference (San Francisco, 6 January 2023).

Ahmed, S., Harwood, T., McKinnon, B., McQuilten, G., Shkembi, N., “Recentring art: Towards a more diverse ecology for art history,” Art Association of Australia and New Zealand Annual Conference (Melbourne, December 2022)

White, A., ‘Italian Internees and Prisoners of War in Australia 1940-1945: Carceral Aesthetics’ (Multilingual Encounters in Captivity: Italians in POW Camps), Modern Language Association Annual Conference (Washington, D. C., January 2022).

Parlane, A. & White, A., “Recentring Australian Art”, Panel, IMPACT: Art Association of Australia & New Zealand (AAANZ) Conference, Sydney, December 2021.

White, A., ‘Opening Australian Art History: The Case Of Henry Dearing,’ Sixteenth International Conference on the Arts in Society, The University of Western Australia, School of Design, Perth (June 2021).

Green, C, ‘Art, Wellness and Creativity,’ The Intersection of Wellness and Creativity: Mapping the Field, keynote lecture, conference, University of Melbourne (November 2019).

White, A., ‘Storytelling at The Dax Centre’, Transformational and Dangerous: The Ethics of Storytelling Workshop, Art-Based Social Enterprise and Marginalised Young People’s Transitions Project, RMIT University (November 2019).

White, A., ‘The Dax Centre: An Archive of Works by Artists with Experience of Mental Illness’, Heat & Dust: Artists, Archives, Art History, Art Gallery of New South Wales and the Power Institute, University of Sydney (November 2018).

White, A., ‘Outsider Art: Historical Perspectives’, Outsider Art: Contemporary Considerations, part of the Talk the Talk lecture series, Art Curatorship Partnership Projects, University of Melbourne (April 2018).

Exhibitions

McQuilten, G., and Spiers, A., “Joining my future: Art/Work, Inequality and Crisis,” Bus Projects, 19 January – 27 February 2021

Koh, E., and White, A., “The Art of Making Sense,” The Cunningham Dax Collection, 1 May – 1 November 2008.